Sara Ali Khan has a penchant for ethnic ensembles and her outings speak in length about it. Be it airport or red carpets, the actress never disappoints us. For a promotional event for Ae Watan Mere Watan, Sara picked a pastel-hued breezy lehenga. The actress wore a blush pink number by the clothing brand Anavila. It highlighted an overall floral print. The three-piece set featured a short-sleeved blouse and a high-waist flowy lehenga, with a hem adorned with motifs. She carried her gleaming dupatta on one shoulder that came with the gotta patti border. Sara paired her traditional look by leaving her hair half open. From the accessories section, just a pair of oxidised earrings helped Sara seal the outing.
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Remember when Sara Ali Khan channelled her inner “Jodha”? She slipped into a bright yellow lehenga by Gopi Vaid. The brocade ensemble highlighted marodi, sequins and gota in striking gold and silver. The actress paired it with a delicate-looking blouse with a plunging V-neckline. Yet again she carried her matching embroidered organza dupatta on one shoulder. The fuchsia border on the dupatta and the hem of the lehenga brought in a contrasting touch. A traditional choker set and matching bangles came from the accessory section.
For all the bride-to-be out there, Sara Ali Khan's red lehenga is the inspiration you need. The Punit Balana creation screams minimalistic from miles away. The lehenga carried golden zari work with a heavy border on the waistline. The dori tassel adds a finishing touch to the look. The deep V-neckline blouse carried a similar zari pattern on the neckline and sleeves. The heavily embroidered dupatta worked like the icing on a cake.
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Sara Ali Khan left many gasping for breath in a stunning lehenga by Abu Jani Sandeep Khosla for her Cannes debut. The ivory and gold hand-embroidered outfit featured a multi-panel skirt that was paired with a short-sleeved blouse that was adorned with silver threadwork and matching tassels.
Sara Ali Khan's ethnic wardrobe is the perfect mixture of fun and festive.
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